Her practice spans a variety of techniques and formats, from digital and analog processes to C-type printing, rayograms, risography, Polaroids, and screen-printing.
Sara’s photographic vision relies on the idea of the photographer as a collector of images, sometimes pushing the idea of appropriation to the extreme. She is driven by an obsession similar to that of an archivist, but rooted in the pursuit of pleasure as the only criterion. From mundane moments to very specific objects, Sara will try to capture anything that sparks her personal punctuum, her desire to possess and collect.
Solo exhibitions
Las ciudades y los ojos, Nuevas Oficinas (Buenos Aires, 2024)
Group exhibitions
Antidote, Maison Pan (Upcoming: London, 2025)
Collaborative display at the Television Centre with Tom Lovelace (London, 2025)
Summertime Sadness, Minimo Vital (Buenos Aires, 2025)
The Graduate Art Show, The Vanner Gallery, (Salisbury, 2025)
Transitory Boundaries, Embassy of Argentina (London, 2024)
Plata Quemada, Helena de Buenos Aires (Buenos Aires, 2024)
Un Affaire, 13 Kiosco Bazar (Buenos Aires, 2023)
Selected press articles
Las ciudades y los ojos in Infobae
Transitory Boundaries in Arte al Día
Artist profile by Mora Pranteda for Made in Bed
Swimming Studies review by Agnes Houghton-Boyle for Fetch
Artwork sales
Through Gertrude
Book sales
On Sleeping through Serchia Gallery